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| For
years, Americans have admired the
natural-looking, super-white, perfect teeth of
Hollywood stars on film and in magazines. These
smiles have become the standard for beauty in
America. |
| Unfortunately,
when people tried to have the teeth they'd seen
in pictures duplicated in their own mouths, the
results were often disappointing. |
| During
the 1980s, the dental technician came out of the
shadows and began, especially in Europe, to play
a more visible role in the process of creating
the ideal smile. The efforts of one man -- Willi
Geller -- contributed greatly to the change. |
| For
more than two decades, Geller, a native of
Austria, worked in both commercial and studio
laboratories. He constantly pushed himself to
discover new methods and materials to create the
most lifelike restorations possible. His goal was
not merely to imitate nature, but in fact, to
improve upon it. "Nature makes
mistakes," he explains. "My goal is to
compensate for what nature did wrong and overcome
the limitation." |
| Geller
succeeding in changing his profession -- not just
in terms of how he worked and the techniques he
used, but in terms of the philosophy behind the
process. He successfully incorporated technicians
as part of the dental team, consulting with
patients and establishing standards for the
doctors who created the foundations for the
technicians' final restorations. |
| Not
surprisingly, Geller became known worldwide for
his work. The teeth he created were renown for
their artistry as well as for their fit and
function. Geller became a designer more than
merely a technician. He was able to make teeth
that captured and reflected light in precisely
the same way as the "natural" teeth
surrounding them. His designs for smiles sparked
the imaginations of colleagues and patients
alike. |
| By
1984, Geller began to share his knowledge and
experience in the world of Oral Design through
lectures and classes. He broke new ground,
educating doctors, technicians, and patients
alike about the possibilities. The technicians
chosen by Geller to work in his laboratory were
given the designation of "artist."
Their palettes were the powdered porcelains that
give teeth color and depth, and their techniques
resembled fine brush strokes as they applied
layers of ceramic material to produce their
masterpieces. |
| Willi
Geller eventually grew dissatisfied with the
available materials. From studying natural teeth
in every possible lighting situation, he
discovered what was missing in the materials then
on the market. Working with chemists and other
specialists, he derived a new material which
produced teeth more easily than in the past. This
material handled light beautifully, absorbing it,
then reflecting it, much like a natural tooth. It
is known as Creation Porcelain. |
| "It
was the light I wanted," Geller recalls.
"This new porcelain takes all the colors of
light from the sun and reflects it in a wonderful
way. It has charisma. It has emotion. It makes
matching the other teeth possible in ways never
before seen in dentistry." Creation
Porcelain is not a totally new material -- it is
ceramic fused to metal, but contains unique
optical properties that mimic the real tooth's
grain structure and light refraction
capabilities. |
| Next,
Geller patiently worked out a system for using
the new material. The process was not unlike the
discovery of oil paints in the Netherlands in the
1400s. Flemish painters devised a whole new base
for pigments, and changed the course of art
history forever. |
| A
whole community of professionals in the dental
and technical fields has emerged as a result of
the changes begun by Geller. Their mission is to
bring to light the role and importance of
technicians in creating the ideal smile; to set
higher standards for what can be accomplished in
esthetic and restorative dentistry; and to
establish quality, as the industry standard. |
| Geller
has permitted a limited number of professionals
to associate with his ideas and practices by
calling their laboratories Oral Design Centers.
At this writing, there are many in the United
States -- my own laboratory in Atlanta, and
others in New York, Illinois, Utah, Seattle and
Massachusetts. Others have been established in
Switzerland, Germany, Austria, Italy, France,
Australia, Japan, Canada, Great Britain, Israel,
he Netherlands, Sweden, Spain and Malaysia. Our
goal is to use uncompromising, exacting standards
to achieve the highest quality, most satisfying
results. We have been trained by Geller in the
precise use of his systems. The results represent
the next generation in esthetic dentistry. |
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